In the ever popular world of ever popular pop
music, the contributions made by cartoon rock groups are often
overlooked, sometimes even ignored. But regardless of the lack of
recognition given to these performers, itís wrong to dismiss their
importance in introducing the wonders of rock and roll to the
preteen set. Those too young to understand the cries of the changing
times in a Bob Dylan song or just too frightened by Mick Jaggerís lips
to get any satisfaction from the Stones, could at least relate to
the animated rockers that infiltrated the airwaves during Saturday
morning TV programming. There are many cartoon groups that came and went
without notice, but here are the ones that really made an impact in the
world of two-dimensional rock and roll.
The
Archies - Don Kirshner couldnít control
his manufactured pop group (The Monkees), so he went out and got an
animated band that couldnít give him any sass. And it paid off big
time when "Sugar, Sugar" topped the Billboard singles chart
for four weeks in 1969 and became the number one record of the year. But
the coed cartoon group could never really follow up on the success of
their breakthrough hit and had to resort to such gimmicks as cereal box
promotions and lame dance crazes like the Weatherbee and the Grundy to
try and cause a stir. Special Note - Although they called
themselves "The Archies," only one member of the band was
actually named that and no reason was ever given why the others agreed
to such a misleading moniker.
Fat Albert & the Junkyard Band -
This group created their unique sound by playing music on the discarded
junk found in a vacant lot they used as a "recording studio."
Led by the Fat Man, who arguably had the best cartoon singing voice in
the history of cartoon rock and roll, the group never achieved the
commercial success they deserved even though they had a popular weekly
TV show to promote their records. Unfortunately they suffered from the
Colonel Parker like control of their creator Bill Cosby, who insisted
the band only record songs that taught a positive lesson. Needless to
say, there was very little room on the pop charts for songs about good
manners and doing your homework.
Alvin
& the Chimpmunks - A classic case of a
group that had it all but succumbed to the weight of their individual
egos. Alvin, Theodore and Simon began simply as The Chipmunks when they
made the leap from session singers on "The Witch Doctor" and
recorded their own hit, "The Chipmunk Song (Christmas Donít Be
Late)." A hit TV show followed but not before a name change was
made to feature Alvin as the head ground squirrel. This caused friction
within the group and when Alvin insisted he be allowed to play a lengthy
harmonica solo on every album, the Chipmunks broke up. Solo success
eluded them, however, and things got especially ugly when the other two
took legal action to prevent Simon from touring under the groupís name
with substitute Chipmunks. After the bitterness subsided they reunited
but were unable to recapture the lighting in the bottle they once had
and shamelessly jumped from trend to trend, recording albums that failed
to reestablish them as headliners in the cartoon pop arena.
The
Groovie Goolies - The same management team
that gave us The Archies is also responsible for introducing TV
audiences to the original monsters of rock, a group so far ahead of
their time itís almost scary. Their inability to snag a recording
contract may have kept them from obtaining the superstar status many
predicted for them, but their legendary "dungeon of sound"
technique achieved by recording in the cavernous Horrible Hall still has
critics howling over this bandís importance to cartoon rock and roll.
A tight knit group with unlimited potential, things started to unravel
for the Goolies when the core of the group (Tom Drac, Frankie &
Wolfie) all fell under the Marianne Faithfull-like spell of the same
woman (Sabrina the Teenage Witch) and jealously tore the band apart at
the seams. Special Note: The Goolies did have one LP released but
it was done so without their approval and the cover featured three
mortal humans dressed in really bad Halloween costumes.
The
Cartoon Beatles - They changed the face of
Saturday morning cartoons forever by making ABC a bona fide player in
the field and brought a high standard of quality to the music performed
on animated kiddie programs. Their song catalog was quite impressive and
their comic timing was second only to the Cartoon Three Stooges. But it
was not to last. Despite their enormous popularity and amazing talent,
the group was done in by their leaderís off the cuff remark that,
"The Cartoon Beatles were bigger than Bugs Bunny." Fans
rebelled and found comfort in the harmless bubble gum tunes provided by
such acts as The Archies instead.
Josie
& the Pussycats - Itís not
hard to figure out the appeal of this all female pop group. Was it the
songs? No, they were pretty forgettable. Was it the musicianship? Nope.
They used studio musicians to play on all their records. (You didnít
really think they got that full sound from just a guitar, drums and
tambourine, did you?) Then what is it that made Josie, Valerie and
Melody such a smash? Oh yeah. It had to be the costumes.